Krzysztof Penderecki, Grigori Zhislin, Warsaw Philharmonic Orchestra, Antoni Wit made "Viola Concerto: Vivace -" available on March 1, 2011. The duration of Viola Concerto: Vivace - is about 3 minutes long, at 3:03. Based on our data, "Viola Concerto: Vivace -" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Penderecki: Viola Concerto - Cello Concerto No. 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Viola Concerto: Vivace - is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Viola Concerto: Vivace - by Krzysztof Penderecki, Grigori Zhislin, Warsaw Philharmonic Orchestra, Antoni Wit having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
Powialo na mnie morze snów..., Pt. 2 "Co mowi noc?": No. 9, Co mowi noc | Krzysztof Penderecki, Agnieszka Rehlis, Podlasie Opera and Philharmonic Choir, Podlasie Opera and Philharmonic Symphony Orchestra, Wojciech Rajski | B♭ Major | 1 | 6B | 77 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
From Jewish Life, B. 55: II. Supplication | Ernest Bloch, Sol Gabetta | E Major | 1 | 12B | 46 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Greenwood: 48 Responses to Polymorphia: Baton Sparks | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | C Major | 1 | 8B | 115 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Polish Requiem: Ciaconne (Chaconne): A Polish Requiem: Ciaconne (Chaconne) | Krzysztof Penderecki, Sinfonia Varsovia | G Minor | 1 | 6A | 103 BPM | ||
Song of the Birds | Pablo Casals, Sol Gabetta | D Major | 1 | 10B | 68 BPM |
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