"Flute Concerto in D Major, QV 5:74: II. Larghetto" by Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble was released on July 15, 2014. With this song being about 5 minutes long, at 5:01, "Flute Concerto in D Major, QV 5:74: II. Larghetto" by Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Quantz: 4 Flute Concertos". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hungary. Flute Concerto in D Major, QV 5:74: II. Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flute Concerto in D Major, QV 5:74: II. Larghetto by Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Tema. Allegretto | Johann Joachim Quantz, Claudio Ferrarini | G Major | 1 | 9B | 71 BPM | ||
Sonata No.4 in D major, QV 1:47 : III Vivace assa | Johann Joachim Quantz, Claudio Ferrarini, Accademia Farnese | D Major | 4 | 10B | 130 BPM | ||
Violin Concerto in A Minor: I. Allegro | Johann Georg Pisendel, Lina Tur Bonet, Musica Alchemica | E♭ Minor | 4 | 2A | 105 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Bassoon Concerto in C Major, RV 473: I. Allegro | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | D Minor | 1 | 7A | 102 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
"Concerto Funebre" con hautbois sordini e salmoè, violino principale e viole da gamba (Si Bem. Maggiore, RV 579): II. Allegro poco poco | Antonio Vivaldi, Jordi Savall, Alfredo Bernardini, Manfredo Kraemer, Diego Montes, Le Concert Des Nations | E Major | 1 | 12B | 71 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM |
Section: 0.6728436946868896
End: 0.6850700378417969