Johann Joachim Quantz, Claudio Ferrarini made "28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Tema. Allegretto" available on August 11, 2023. With 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Tema. Allegretto being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Joachim Quantz, Claudio Ferrarini's "Johann Joachim Quantz Recomposed by Luca Astolfoni Fossi: 28 Variazions on Aria “ I Was Sleeping, and Then I Dreamed” for Solo Flute" album is number 1 out of 30. On top of that, Italy appears to be the country where this track was created. 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Tema. Allegretto is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of 28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Tema. Allegretto by Johann Joachim Quantz, Claudio Ferrarini to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Concerto for violoncello piccolo in G Major, RV. 414: II. Largo | Antonio Vivaldi, Ophélie Gaillard, Pulcinella Orchestra | E♭ Minor | 2 | 2A | 99 BPM | ||
Sonata In E Minor For Violin And Continuo: Moderato | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | E Minor | 2 | 9A | 103 BPM | ||
For Several Friends: Suite in G Major-minor: I. Fantazie | Matthew Locke, Ensemble Masques | F Minor | 1 | 4A | 109 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
Le Rossignol en Amour | François Couperin, Dorothee Oberlinger | D♭ Major | 0 | 3B | 84 BPM |
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