"Puccini: Turandot, Act 3: "Nessun dorma" (Calaf)" by Giacomo Puccini, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin was released on April 29, 2008. The duration of Puccini: Turandot, Act 3: "Nessun dorma" (Calaf) is about 3 minutes long, at 3:26. Based on our data, "Puccini: Turandot, Act 3: "Nessun dorma" (Calaf)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 40 Most Beautiful Arias (international version), so we believe that "Puccini: Turandot, Act 3: "Nessun dorma" (Calaf)" is a single. The popularity of Puccini: Turandot, Act 3: "Nessun dorma" (Calaf) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Puccini: Turandot, Act 3: "Nessun dorma" (Calaf) by Giacomo Puccini, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly (1986 - Remaster), Act I: Viene la sera (Pinkerton/Butterfly/Suzuki) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Major | 0 | 5B | 117 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM | ||
Madame Butterfly - Grosser Querschnitt: Seht ihr! da sind sie | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | A♭ Minor | 1 | 1A | 100 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Puccini: Tosca, Act 1: "Ah, quegli occhi" (Tosca, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Puccini: Tosca, Act 2: "Se la giurata fede debbo tradir" (Scarpia, Tosca) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Ruggero Raimondi, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM |
Section: 0.7209997177124023
End: 0.7267835140228271