"Puccini: Tosca, Act 1: "Ah, quegli occhi" (Tosca, Cavaradossi)" by Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden was released on May 17, 2024. With Puccini: Tosca, Act 1: "Ah, quegli occhi" (Tosca, Cavaradossi) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 59 in the song's album "Puccini: Tosca". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Puccini: Tosca, Act 1: "Ah, quegli occhi" (Tosca, Cavaradossi) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 1: "Ah, quegli occhi" (Tosca, Cavaradossi) by Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | ||
Puccini: Madama Butterfly, Act 2: "Addio, fiorito" (Pinkerton, Sharpless) | Giacomo Puccini, Nicolai Gedda, Herbert von Karajan, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 3 | 3B | 84 BPM | ||
Romeo and Juliette, Act V: O ma femme! O ma bien-aimee | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | B♭ Major | 2 | 6B | 84 BPM | ||
Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM | ||
Tosca / Act I: "Un tal baccano in chiesa! Bel rispetto!" | Giacomo Puccini, Heinz Zednik, Ruggero Raimondi, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 73 BPM | ||
Mascagni: Cavalleria rusticana: No. 6, Romanza e Scena, "Voi lo sapete, o mamma" (Santuzza, Lucia) | Pietro Mascagni, Montserrat Caballé, Riccardo Muti, Philharmonia Orchestra | E Major | 1 | 12B | 80 BPM | ||
Don Pasquale, Act I Quinta Scena: Mi volete fiera? (Norina/Malatesta) | Gaetano Donizetti, Leo Nucci/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 2 | 4B | 130 BPM | ||
Il Trovatore - Libretto: Salvatore Cammarano/Leonore Emanuele Bardare / Act 3: Ah sì ben mio | Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker | B♭ Major | 1 | 6B | 120 BPM | ||
Bellini: Norma, Act 2: "Non parti?" (Coro) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 0 | 4B | 74 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM |
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