Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana made "Second Concert, RCT 8: I. La Laborde, Rondement" available on March 4, 2022. Second Concert, RCT 8: I. La Laborde, Rondement is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana's "Jean-Philippe Rameau: Pièces De Clavecin En Concerts" album is number 4 out of 16. On top of that, Netherlands appears to be the country where this track was created. Second Concert, RCT 8: I. La Laborde, Rondement is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Second Concert, RCT 8: I. La Laborde, Rondement by Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
III. Andante | Clara Schumann, Anne-Sophie Mutter, Pablo Ferrandez, Lambert Orkis | G Major | 1 | 9B | 101 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Le Tic-Toc-Choc ou Les Maillotins (18e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 133 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Andreas Ottensamer, Gautier Capuçon, Yuja Wang | A Minor | 1 | 8A | 68 BPM | ||
Royer: Premier livre de pièces de clavecin: VI. L'Aimable | Joseph-Nicolas-Pancrace Royer, Alexandre Tharaud | G Minor | 2 | 6A | 121 BPM | ||
Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 100 BPM | ||
Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga - Arr. for French Horn | George Frideric Handel, Felix Klieser, CHAARTS Chamber Artists | B Major | 0 | 1B | 97 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM |
Section: 0.6589376926422119
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