"Yunus Emre: Part I: Ich bin ein achzend' Wasserrad" by Ahmet Adnan Saygun, Ibolya Verebics, Eva Panczel, Gyorgy Korondy, Sandor Blazso, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Hikmet Şimşek had its release date on November 1, 2014. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Saygun: Yunus Emre". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hungary. Yunus Emre: Part I: Ich bin ein achzend' Wasserrad is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Yunus Emre: Part I: Ich bin ein achzend' Wasserrad by Ahmet Adnan Saygun, Ibolya Verebics, Eva Panczel, Gyorgy Korondy, Sandor Blazso, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Hikmet Şimşek having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Es sang vor langen Jahren | Arvo Pärt, Andreas Scholl, Yuuki Wong, Tomasz Wabnic | A Minor | 1 | 8A | 82 BPM | ||
Inci'nin Kitabı (Inci's Book), Op. 10: VII. Rüya (A Dream) [Arr. For Mandolins By Gürer Aykal] | Ahmet Adnan Saygun, Bulent Yazici, Gürer Aykal | G Minor | 4 | 6A | 86 BPM | ||
Einleitung - II | Friedrich Nietzsche, Lauretta Altman | D Major | 1 | 10B | 109 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
Yunus Emre, Op. 26, Pt. 1: No. 1, Teferrüç eyleyû vardım (Live) | Ahmet Adnan Saygun, Aydin Ustuk, Osnabrueck Symphony Orchestra, Osnabrueck Youth Choir, Naci Özgüç | D Major | 2 | 10B | 97 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall | D♭ Minor | 0 | 12A | 77 BPM | ||
Vitali: Chaconne in G Minor | Tomaso Antonio Vitali, Ji Young Lim, Dong Hyek Lim | G Minor | 2 | 6A | 143 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Passagalia in G Minor | Heinrich Ignaz Franz von Biber, Xavier Diaz-Latorre | F♯ Minor | 2 | 11A | 100 BPM |