"Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe)" by Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall was released on January 1, 2001. The duration of Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Tous les matins du monde (Bande originale du film)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Switzerland. Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) by Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Piece in D Minor, WK 205. Arpeggio - No. 20 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871" | Carl Friedrich Abel, Philippe Pierlot | D♭ Minor | 0 | 12A | 107 BPM | ||
Passamezzo Antico: Zarabanda (Recercada V) | Diego Ortiz, Jordi Savall | F Major | 1 | 7B | 112 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM |
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