- BPM
- 77
- Key
- F♯ Major
- Camelot
- 2B
Miserere in C minor: Gloria Patri II - Thomas Hengelbrock Information
- Acousticness
- 98%
- Danceability
- 22%
- Energy
- 9%
- Instrumentalness
- 74%
- Liveness
- 16%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 22%
- Popularity
- 5%
- Loudness
- -20.108 dB
Summary
Thomas Hengelbrock's 'Miserere in C minor: Gloria Patri II' came out on October 1, 2009. With Miserere in C minor: Gloria Patri II being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 4 out of 27 in Bach, Lotti, Zelenka by Thomas Hengelbrock. Miserere in C minor: Gloria Patri II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Miserere in C minor: Gloria Patri II BPM
The tempo marking of Miserere in C minor: Gloria Patri II by Thomas Hengelbrock is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Miserere in C minor: Gloria Patri II Key
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Dies Irae | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | |
 | Missa Sancti Spiritus, ZWV 4: Kyrie eleison II | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | |
 | Ein deutsches Requiem, Op. 45: Selig sind, die da Leid tragen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | |
 | Magnificat in D Major, BWV 243: Deposuit potentes (Tenor) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | F♯ Minor | 4 | 11A | 106 BPM | |
 | Te Deum "de Lyon": XIV. Et rege eos | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | |
 | Magnificat in B flat major: Sicut locutus est | Francesco Durante, Thomas Hengelbrock | A♭ Major | 2 | 4B | 90 BPM | |
 | Messiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus) | Nikolaus Harnoncourt | G Major | 3 | 9B | 159 BPM | |
 | Deborah, HWV 51: Part II: Chorus - The great King of Kings will aid us too | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | D♭ Major | 2 | 3B | 111 BPM | |
 | Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 10, "Oh wie sanft die Quelle sich" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | G Major | 2 | 9B | 134 BPM | |
 | Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6515364646911621
End: 0.6564910411834717