"Oblivion - Arr. for Orchestra" by Nike Hutchisson, Pavel Lyubomudrov, Metamorphose String Orchestra was released on December 1, 2017. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 2 in the song's album "Piazzolla: Oblivion, Libertango (Arr. for Orchestra)". In this album, this song's track order is #1. Oblivion - Arr. for Orchestra is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oblivion - Arr. for Orchestra by Nike Hutchisson, Pavel Lyubomudrov, Metamorphose String Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Monti: Csárdás | Vittorio Monti, Edgar Moreau, Pierre-Yves Hodique, Basil Cameron, Philharmonia Orchestra | D Major | 1 | 10B | 85 BPM | ||
Chi mai | Ennio Moriconne, Gautier Capuçon, Jerome Ducros, Orchestre de chambre de Paris, Lionel Bringuier | F♯ Minor | 1 | 11A | 184 BPM | ||
Le carnaval des animaux: Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | G Major | 0 | 9B | 88 BPM | ||
Schwanengesang, D. 957, Book 1: No. 4. Standchen (Serenade) | Franz Schubert, Alexander Hülshoff, Andreas Frolich | C Major | 1 | 8B | 142 BPM | ||
24 Préludes, Op. 28: Prelude No. 4 in E Minor | Katia Labèque | E Minor | 0 | 9A | 73 BPM | ||
Gnossienne No. 5 | Lavinia Meijer | E Minor | 0 | 9A | 62 BPM | ||
Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) | Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 82 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Elegie (arr. for cello and orchestra) | Anonymous, Jules Massenet, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | F Minor | 0 | 4A | 91 BPM | ||
Crisantemi for string orchestra | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | F♯ Minor | 0 | 11A | 101 BPM |
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