"24 Préludes, Op. 28: Prelude No. 4 in E Minor" by Katia Labèque was released on October 27, 2009. The duration of 24 Préludes, Op. 28: Prelude No. 4 in E Minor is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. 24 Préludes, Op. 28: Prelude No. 4 in E Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Shape Of My Heart". In this album, this song's track order is #5. 24 Préludes, Op. 28: Prelude No. 4 in E Minor is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 24 Préludes, Op. 28: Prelude No. 4 in E Minor by Katia Labèque having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Time Curve Preludes: No. 2 | William Duckworth, Katia Labèque | F Major | 2 | 7B | 111 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko Uchida | B Major | 0 | 1B | 81 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Suite Bergamasque, L. 75, CD 82: Suite bergamasque, L. 75, CD 82: III. Clair de Lune | Claude Debussy, Jean-Efflam Bavouzet | A Minor | 3 | 8A | 64 BPM | ||
Concerto for 2 Pianos and Orchestra, Op. 88a: 4. Andante - Allegro | Max Bruch, Katia Labèque, Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov | A♭ Major | 2 | 4B | 81 BPM | ||
Les cinq doigts - Eight Very Easy Pieces on Five Notes: 5. Moderato | Igor Stravinsky, Katia Labèque | G Major | 0 | 9B | 92 BPM | ||
14 Romances, Op. 34: No. 14 Vocalise (Arr. Kocsis for Piano) | Sergei Rachmaninoff, Yuja Wang | D♭ Minor | 0 | 12A | 62 BPM |
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