- BPM
- 91
- Key
- F Minor
- Camelot
- 4A
Elegie (arr. for cello and orchestra) - Anonymous, Jules Massenet, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno Information
- Acousticness
- 96%
- Danceability
- 12%
- Energy
- 4%
- Instrumentalness
- 92%
- Liveness
- 10%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 23%
- Loudness
- -26.353 dB
Summary
"Elegie (arr. for cello and orchestra)" by Anonymous, Jules Massenet, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno was released on February 3, 2015. The duration of Elegie (arr. for cello and orchestra) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Elegie (arr. for cello and orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 9 in Elegy by Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Elegie (arr. for cello and orchestra) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Elegie (arr. for cello and orchestra) BPM
The tempo marking of Elegie (arr. for cello and orchestra) by Anonymous, Jules Massenet, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Elegie (arr. for cello and orchestra) Key
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | |
 | 4 Gesänge, Op. 70: 2. Lerchengesang | Johannes Brahms, Harriet Krijgh, Magda Amara | A♭ Major | 0 | 4B | 88 BPM | |
 | Richter: The Leftovers: She Remembers | Max Richter, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Minor | 0 | 11A | 172 BPM | |
 | Concerto For Violin, Strings ("in due cori") And 2 Harpsichords In B-Flat Major, RV 583: 2. Andante | Antonio Vivaldi, Venice Baroque Orchestra, Andrea Marcon, Giuliano Carmignola | B♭ Major | 0 | 6B | 103 BPM | |
 | Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | |
 | Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | |
 | Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1 | Frédéric Chopin, Maria João Pires | D♭ Major | 0 | 3B | 68 BPM | |
 | An die Musik, D. 547 (Op. 88/4) | Franz Schubert, Mischa Maisky, Daria Hovora | C Major | 0 | 8B | 126 BPM | |
 | 6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM |
- ISRC
- DEB261400656
- Label
- L-M Records/RCA Records
Section: 0.9567604064941406
End: 0.9602518081665039