Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) - Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog Information

Acousticness: 98%
Danceability: 9%
Energy: 10%
Instrumentalness: 90%
Liveness: 10%
Loudness: 65%
Speechiness: 5%
Valence: 4%
Popularity: 33%
Loudness: -20.98 dB

Summary

"Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra )" by Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog was released on May 15, 2020. With this song being about 5 minutes long, at 4:59, "Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra )" by Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Ravel: Deux mélodies hébraïques, M. A22: 1. Kaddisch (Transcr. For Cello And Orchestra By Richard Tognetti) only contains only one song in the album, we like to consider this song as a single. Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) BPM

With Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) by Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin	Jean-Philippe Rameau, Christian-Pierre La Marca	F♯ Minor	3	11A	85 BPM
Les berceaux, Op. 23 No. 1	Gabriel Fauré, Christian-Pierre La Marca	C Minor	0	5A	65 BPM
6 Roumanian Folk Dances, BB 68, Sz. 56: III. Stamping Dance	Béla Bartók, Hélène Grimaud	B Minor	0	10A	91 BPM
An die Musik, D. 547 (Transc. for Cello & Piano)	Franz Schubert, Kian Soltani, Aaron Pilsan	D Major	1	10B	81 BPM
Bambaló	Gabríel Ólafs, Steiney Sigurðardóttir	B Minor	0	10A	69 BPM
Moonlight	Mari Samuelsen	D♭ Minor	3	12A	85 BPM
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise	Nadia Boulanger, Nicolas Altstaedt, José Gallardo	F Major	0	7B	83 BPM
24 Preludes for Violin and Piano, Op. 46: No. 8 Andante	Lera Auerbach, Daniel Hope, Jacques Ammon	D Major	0	10B	82 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato	Bedřich Smetana, Jitka Čechová	A Minor	0	8A	66 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9103260040283203

End: 0.9145877361297607