ルクセンブルク放送交響楽団, ルイ・ド・フロマン's '夜想曲/雲(『サロメ』より)' came out on September 28, 2022. Since 夜想曲/雲(『サロメ』より) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 映画の中のクラシック ドビュッシーの映画館, so we believe that "夜想曲/雲(『サロメ』より)" is a single. 夜想曲/雲(『サロメ』より) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 夜想曲/雲(『サロメ』より) by ルクセンブルク放送交響楽団, ルイ・ド・フロマン is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
La Bohème, SC 67, Act I: Che gelida manina | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 81 BPM | ||
Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: VIII. Variazione VI Finale presto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 80 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Polka (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 148 BPM | ||
Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) | George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Minor | 0 | 5A | 78 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Sandström: Sueño Macabros: IV Gatear en el la Mona Lisa | Jan Sandström, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 0 | 5B | 178 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': 3. Queen of Shemakha's dance: King Dodon's dance | Bournemouth Symphony Orchestra, Paavo Berglund | A Major | 1 | 11B | 137 BPM |
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