"Concert Suite from the opera 'The Golden Cockerel': 3. Queen of Shemakha's dance: King Dodon's dance" by Bournemouth Symphony Orchestra, Paavo Berglund was released on August 16, 2013. Since Concert Suite from the opera 'The Golden Cockerel': 3. Queen of Shemakha's dance: King Dodon's dance is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paavo Berglund's "Icon - Paavo Berglund" album is number 5 out of 31. Based on our statistics, Concert Suite from the opera 'The Golden Cockerel': 3. Queen of Shemakha's dance: King Dodon's dance's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concert Suite from the opera 'The Golden Cockerel': 3. Queen of Shemakha's dance: King Dodon's dance by Bournemouth Symphony Orchestra, Paavo Berglund to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Old Norwegian Romance with Variations, Op. 51: XVII. Pomposo (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM | ||
Messager: The Two Pigeons, Act 1: Dance of the Gypsies | André Messager, Bournemouth Symphony Orchestra, John Lanchbery | A♭ Major | 0 | 4B | 130 BPM | ||
Sun & Moon / Why God Why | Bournemouth Symphony Orchestra, Seann Alderking | D♭ Major | 1 | 3B | 70 BPM | ||
Orff: Carmina Burana: Part 1, Primo vere, Uf dem Anger, No. 10 "Were diu werlt alle min" (Chorus) | Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill | G Major | 2 | 9B | 156 BPM | ||
Concertino from "Eastern Promises": Eastern Promises | Howard Shore, Nicola Benedetti, Greg Knowles, Bournemouth Symphony Orchestra, Kirill Karabits | G Minor | 1 | 6A | 130 BPM | ||
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
Concert Suite from "Henry V": Touch her soft lips, and part | William Walton, Bournemouth Symphony Orchestra, Andrew Litton | E Minor | 0 | 9A | 71 BPM |
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