"Spanish Dances, Op. 22: No. 3. Romanza andaluza (arr. for viola and piano)" by Pablo de Sarasate, Luigi Alberto Bianchi, Bruno Canino was released on January 1, 1999. With this song being about 5 minutes long, at 5:09, "Spanish Dances, Op. 22: No. 3. Romanza andaluza (arr. for viola and piano)" by Pablo de Sarasate, Luigi Alberto Bianchi, Bruno Canino is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Viola Recital: Bianchi, Luigi Alberto - Paganini, N. / Kreisler, F. / Sarasate, P. by Luigi Alberto Bianchi, Jacques Delacote. The song's track number on the album is #7 out of 11 tracks. In terms of popularity, Spanish Dances, Op. 22: No. 3. Romanza andaluza (arr. for viola and piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Spanish Dances, Op. 22: No. 3. Romanza andaluza (arr. for viola and piano) by Pablo de Sarasate, Luigi Alberto Bianchi, Bruno Canino has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Spanish Dances, Op. 22: No. 3. Romanza andaluza (arr. for viola and piano) being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Leclair: Sonata for 2 Violins in E Minor, Op. 3, No. 5: I. Allegro, ma poco | Jean-Marie Leclair, Itzhak Perlman | E Minor | 2 | 9A | 129 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": 1. Allegro | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | C Major | 2 | 8B | 152 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Viva Sevilla!, Op. 38 (version for violin and orchestra) | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 79 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) | Heinrich Wilhelm Ernst, Josef Spacek | C Major | 3 | 8B | 129 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
2 Pieces, Op. 12: No. 1, Petite ballade | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | E Minor | 0 | 9A | 90 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM |
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