Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players's 'Mozart: Die Zauberflöte, K. 620, Act 2 Scene 12: No. 15, Arie, "In diesen heil'gen Hallen" (Sarastro)' came out on February 7, 2005. The duration of Mozart: Die Zauberflöte, K. 620, Act 2 Scene 12: No. 15, Arie, "In diesen heil'gen Hallen" (Sarastro) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Mozart: Die Zauberflöte, K. 620, Act 2 Scene 12: No. 15, Arie, "In diesen heil'gen Hallen" (Sarastro)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players's "Mozart: Die Zauberflote" album is number 11 out of 60. Mozart: Die Zauberflöte, K. 620, Act 2 Scene 12: No. 15, Arie, "In diesen heil'gen Hallen" (Sarastro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 2 Scene 12: No. 15, Arie, "In diesen heil'gen Hallen" (Sarastro) by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Concerto for Flute, Harp, and Orchestra in C, K.299: 2. Andantino | Wolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 1 | 7B | 94 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 111 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Der Stein der Weisen, Act I: Dialogue (1) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Kevin Deas, Jane Giering-De Haan, Judith Lovat, Paul Austin Kelly | A Minor | 4 | 8A | 120 BPM |
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