- BPM
- 83
- Key
- G Major
- Camelot
- 9B
La forza del destino, Act II: Son Pereda, son ricco d'onore (Don Carlo di Vargas) - Giuseppe Verdi, Giorgio Zancanaro, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan Information
- Acousticness
- 98%
- Danceability
- 24%
- Energy
- 28%
- Instrumentalness
- 8%
- Liveness
- 50%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 8%
- Loudness
- -14.066 dB
Summary
"La forza del destino, Act II: Son Pereda, son ricco d'onore (Don Carlo di Vargas)" by Giuseppe Verdi, Giorgio Zancanaro, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan was released on 1986. The duration of La forza del destino, Act II: Son Pereda, son ricco d'onore (Don Carlo di Vargas) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. La forza del destino, Act II: Son Pereda, son ricco d'onore (Don Carlo di Vargas)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: La forza del destino by Giuseppe Verdi, Plácido Domingo, Riccardo Muti. The song's track number on the album is #16 out of 52 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. La forza del destino, Act II: Son Pereda, son ricco d'onore (Don Carlo di Vargas) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La forza del destino, Act II: Son Pereda, son ricco d'onore (Don Carlo di Vargas) BPM
Since La forza del destino, Act II: Son Pereda, son ricco d'onore (Don Carlo di Vargas) by Giuseppe Verdi, Giorgio Zancanaro, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La forza del destino, Act II: Son Pereda, son ricco d'onore (Don Carlo di Vargas) being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
La forza del destino, Act II: Son Pereda, son ricco d'onore (Don Carlo di Vargas) Key
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | |
 | Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM | |
 | Puccini: Manon Lescaut, Act 2: "In quelle trine morbide" (Manon Lescaut) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D♭ Major | 1 | 3B | 88 BPM | |
 | Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | |
 | L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | |
 | La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | |
 | Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | |
 | Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM |
- ISRC
- GBAYC8601076
- Label
- L-M Records/RCA Records
Section: 1.1945395469665527
End: 1.1987340450286865