"Pièces choisies pour l'orgue: Récit en Ré Mineur" by Louis Marchand, Salomé Gasselin, Emmanuel Arakélian was released on January 13, 2023. The duration of Pièces choisies pour l'orgue: Récit en Ré Mineur is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Pièces choisies pour l'orgue: Récit en Ré Mineur's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Récit". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. Based on our statistics, Pièces choisies pour l'orgue: Récit en Ré Mineur's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pièces choisies pour l'orgue: Récit en Ré Mineur by Louis Marchand, Salomé Gasselin, Emmanuel Arakélian having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in G Minor, Op. 2 No. 6: II. Allemande | François Francoeur, Théotime Langlois de Swarte, Justin Taylor | F Major | 1 | 7B | 69 BPM | ||
Partita No. 5 in G Major, BWV 829: IV. Sarabande | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Le tenebre vinte (Coro) | Andrea Bernasconi, Dorothee Oberlinger, Ensemble 1700 | F♯ Major | 2 | 2B | 144 BPM | ||
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | F♯ Major | 3 | 2B | 109 BPM | ||
Suite in A Minor, P.446: I. Allemand | Johann Pachelbel, Simone Stella | A♭ Minor | 1 | 1A | 0 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Te Deum: III. Pièces du 8e ton - Plein Jeu - Basse de trompette - Duo - Trio | Louis Marchand, Jean-Baptiste Robin | C Major | 3 | 8B | 63 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM | ||
Krebs: Auf meinen lieben Gott (Formerly Attributed to Bach as BWV 744) | Johann Ludwig Krebs, Ton Koopman | C Minor | 0 | 5A | 72 BPM |
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