- BPM
- 72
- Key
- C Minor
- Camelot
- 5A
Krebs: Auf meinen lieben Gott (Formerly Attributed to Bach as BWV 744) - Johann Ludwig Krebs, Ton Koopman Information
- Acousticness
- 84%
- Danceability
- 6%
- Energy
- 3%
- Instrumentalness
- 93%
- Liveness
- 11%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 10%
- Loudness
- -20.693 dB
Summary
"Krebs: Auf meinen lieben Gott (Formerly Attributed to Bach as BWV 744)" by Johann Ludwig Krebs, Ton Koopman was released on May 27, 2022. With Krebs: Auf meinen lieben Gott (Formerly Attributed to Bach as BWV 744) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 51 out of 93 in Bach: Organ Works, Vol. 10 & 11 (At the Organ of Saint Walburga Church in Zutphen) by Johann Sebastian Bach, Ton Koopman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Krebs: Auf meinen lieben Gott (Formerly Attributed to Bach as BWV 744) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Krebs: Auf meinen lieben Gott (Formerly Attributed to Bach as BWV 744) BPM
The tempo marking of Krebs: Auf meinen lieben Gott (Formerly Attributed to Bach as BWV 744) by Johann Ludwig Krebs, Ton Koopman is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Krebs: Auf meinen lieben Gott (Formerly Attributed to Bach as BWV 744) Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Magnificat Fugue Quinti Toni VII, P320 | Johann Pachelbel, Matthew Owens | D Major | 2 | 10B | 69 BPM | |
 | Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: I. Vivace assai | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | |
 | Thema mit Variationen: Var. 1 | Johann Gottlob Schneider, Halgeir Schiager | E Minor | 1 | 9A | 95 BPM | |
 | Telemann: Nouveaux quatuors "Paris Quartets", No. 6 in E Minor, TWV 43:e4: III. Vite | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | E Minor | 1 | 9A | 78 BPM | |
| Chorale Partita ‘Was Gott tut, das ist wholgetan’, P379: V. Partita IV | Johann Pachelbel, Matthew Owens | D Major | 2 | 10B | 69 BPM | |
 | Magnificat Fugue Primi Toni XX, P276 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | |
 | Vesper Voluntaries, op. 14: no. 6 | Edward Harte | G Minor | 0 | 6A | 65 BPM | |
 | Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM | |
 | Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | |
 | Keyboard Concerto No. 1 in F Major: I. Allegro | Johann Adolf Hasse, Janos Sebestyen | D Major | 2 | 10B | 66 BPM |
- ISRC
- DEA809928600
- Label
- L-M Records/RCA Records
Section: 0.7900135517120361
End: 0.7931220531463623