Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt's 'Telemann: Nouveaux quatuors "Paris Quartets", No. 6 in E Minor, TWV 43:e4: III. Vite' came out on January 1, 1964. With Telemann: Nouveaux quatuors "Paris Quartets", No. 6 in E Minor, TWV 43:e4: III. Vite being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Telemann: Paris Quartets". In this album, this song's track order is #35. Furthermore, we believe that the track originated from Germany. Telemann: Nouveaux quatuors "Paris Quartets", No. 6 in E Minor, TWV 43:e4: III. Vite is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Telemann: Nouveaux quatuors "Paris Quartets", No. 6 in E Minor, TWV 43:e4: III. Vite by Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzona seconda a canto solo "detta la Bernardinia" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 2 | 8A | 82 BPM | ||
Sey tausenmahl willkommen, TWV 13: 9a | Georg Philipp Telemann, Wu Wei, Holland Baroque | D Major | 1 | 10B | 97 BPM | ||
Telemann: Concerto for Four Violins in G Major, TWV 40:201: IV. Vivace | Georg Philipp Telemann, Nikolaus Harnoncourt, Alice Harnoncourt, Kurt Theiner, Peter Schoberwalter, Walter Pfeiffer, Concentus Musicus Wien | D Major | 0 | 10B | 85 BPM | ||
Flute Concerto in D Major: III. Allegro assai | Baldassare Galuppi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | D Major | 2 | 10B | 115 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
From Samson (Act I): Sinfonia, HWV 57: II. Allegro | George Frideric Handel, Anthony Halstead, Christian Rutherford, The English Concert, Trevor Pinnock | F♯ Major | 4 | 2B | 117 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Trio Sonata for 2 Violins and Continuo in G, Op.5, No.4, HWV 399: 3. Passacaille | George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 2 | 11B | 115 BPM |
Section: 0.6956157684326172
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