"Te Deum: III. Pièces du 8e ton - Plein Jeu - Basse de trompette - Duo - Trio" by Louis Marchand, Jean-Baptiste Robin was released on July 1, 2001. The duration of Te Deum: III. Pièces du 8e ton - Plein Jeu - Basse de trompette - Duo - Trio is about 3 minutes long, at 3:03. Based on our data, "Te Deum: III. Pièces du 8e ton - Plein Jeu - Basse de trompette - Duo - Trio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Louis Marchand, Jean-Baptiste Robin's "Louis Marchand: L'œuvre pour orgue" album is number 19 out of 23. Te Deum: III. Pièces du 8e ton - Plein Jeu - Basse de trompette - Duo - Trio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum: III. Pièces du 8e ton - Plein Jeu - Basse de trompette - Duo - Trio by Louis Marchand, Jean-Baptiste Robin to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | ||
Concert Royal No. 2 in D: II. Allemande fuguée. Gaiement (Version for 2 Harpsichords) | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
Trio Sonata in D Minor, Op. 4, No. 1: II. Allegro ma non tropo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Scarlatti, D: Keyboard Sonata in A Minor, Kk. 54 | Domenico Scarlatti, Scott Ross | E Major | 5 | 12B | 104 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825: III. Corrente | Johann Sebastian Bach, Giulia Nuti | F♯ Major | 6 | 2B | 94 BPM | ||
Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo) | François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut Roussel | E♭ Major | 4 | 5B | 125 BPM | ||
Recueil d’airs détachés et d’airs de violons, Cinquième Suite: III. Air | Michel Richard Delalande, Arion Orchestre Baroque, Mathieu Lussier | D♭ Major | 1 | 3B | 127 BPM | ||
Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz | Georg Philipp Telemann, Julia Grutzka, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
12 Concerti da Chiesa, Op. 2 No.4: I. Allegro moderato | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 108 BPM |
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