Emmerich Kálmán, Ferry Gruber, Robert Stolz made "Die Zirkusprinzessin: Die kleinen Mädels im Trikot" available on June 26, 1966. The duration of Die Zirkusprinzessin: Die kleinen Mädels im Trikot is about 3 minutes long, at 3:10. Based on our data, "Die Zirkusprinzessin: Die kleinen Mädels im Trikot" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Emmerich Kálmán, Robert Stolz's "Kálmán: Die Zirkusprinzessin (Highlights)" album is number 6 out of 13. On top of that, Germany appears to be the country where this track was created. Die Zirkusprinzessin: Die kleinen Mädels im Trikot is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Die Zirkusprinzessin: Die kleinen Mädels im Trikot by Emmerich Kálmán, Ferry Gruber, Robert Stolz to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otto Allins Tromme-Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 3 | 9B | 86 BPM | ||
Lortzing: Zar und Zimmermann, Act III: 'Holzschuhtanz' | Albert Lortzing, Berliner Symphoniker, Berislav Klobucar | E♭ Major | 1 | 5B | 91 BPM | ||
Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | ||
The Bartered Bride: ACT I, Scene 5. Kecal Ach, jak svět je zvrácený | Bedřich Smetana, Jozef Benci, Jiří Bělohlávek, BBC Symphony Orchestra | C Major | 3 | 8B | 99 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act I: Lied: Aus ist's mit der Liebe (Boni, 8 women) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | D Minor | 3 | 7A | 109 BPM | ||
Bizet: Carmen, Act 4: "Les voici! Voici la quadrille!" (Churs, Enfants) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor und Kinderchor der Deutschen Staatsoper Berlin, Vinzenz Weissenburger | A Major | 5 | 11B | 132 BPM | ||
Slavonic Dances, Series 2, Op. 72, B. 147: No. 2 in E Minor | Antonín Dvořák, Swedish Chamber Orchestra, Thomas Dausgaard | C Major | 1 | 8B | 97 BPM | ||
Gräfin Mariza, Act I: Lustige Zigeunerweisen | Emmerich Kálmán, Betsy Horne, Konzertvereinigung Wiener Volksopernchor, Munich Radio Orchestra, Ernst Theis | C Major | 2 | 8B | 116 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM |
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