Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"
Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, L'Orchestre de la Suisse Romande, Richard Bonynge
Offenbach
4:09 July 2, 2021
BPM
69
Key
D Major
Camelot
10B

Embed

Share Link

Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" - Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, L'Orchestre de la Suisse Romande, Richard Bonynge Information

Acousticness
97%
Danceability
22%
Energy
22%
Instrumentalness
9%
Liveness
38%
Loudness
66%
Speechiness
5%
Valence
4%
Popularity
Loudness
-20.155 dB

Summary

"Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"" by Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, L'Orchestre de la Suisse Romande, Richard Bonynge was released on July 2, 2021. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 60 in the song's album "Offenbach". In this album, this song's track order is #1. Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" BPM

With Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" by Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, L'Orchestre de la Suisse Romande, Richard Bonynge having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzG Minor16A83 BPM
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) by Anonymous , Franz Schubert, Budapest Strings, Bela BanfalviMoment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble)Anonymous , Franz Schubert, Budapest Strings, Bela BanfalviF Minor04A101 BPM
Les Contes d'Hoffmann / Act 2: Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard BonyngeD Major110B82 BPM
Le roi s'amuse: Passepied by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: PassepiedLéo Delibes, Slovak Philharmonic, Ondrej LenardA Major111B88 BPM
Raymonda, Act III: Variation for male dancer by Alexander Glazunov, English National Ballet Philharmonic, Gavin SutherlandRaymonda, Act III: Variation for male dancerAlexander Glazunov, English National Ballet Philharmonic, Gavin SutherlandA♭ Major04B61 BPM
5 Military Marches, Op. 39, 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D MajorEdward Elgar, New Zealand Symphony Orchestra, James JuddD Major310B127 BPM
Dvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivo by Antonín Dvořák, Sir Simon Rattle, Berliner PhilharmonikerDvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivoAntonín Dvořák, Sir Simon Rattle, Berliner PhilharmonikerE Minor09A141 BPM
Raymonda, Op. 57: Act II - Variation I by Alexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovRaymonda, Op. 57: Act II - Variation IAlexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovD♭ Major03B83 BPM
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso by Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír VálekSpanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitosoNikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír VálekB♭ Major26B133 BPM
Les contes d'Hoffmann (The Tales of Hoffmann) (Sung in German): Act III: Sie entfloh, die Taube so minnig (Antonia) by Jacques Offenbach, Waldemar Kmentt, Rita Streich, Anny Schlemm, Teresa Stich-Randall, George London, Gisa Nerz, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Rudolf MoraltLes contes d'Hoffmann (The Tales of Hoffmann) (Sung in German): Act III: Sie entfloh, die Taube so minnig (Antonia)Jacques Offenbach, Waldemar Kmentt, Rita Streich, Anny Schlemm, Teresa Stich-Randall, George London, Gisa Nerz, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Rudolf MoraltE♭ Major25B90 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7457945346832275

End: 0.7529265880584717