Plácido Domingo's 'Faust: Act III: Quel trouble inconnu; Salut! demeure chaste et pure' came out on September 1, 1994. Faust: Act III: Quel trouble inconnu; Salut! demeure chaste et pure is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in Plácido Domingo's "Greatest Hits" album is number 12 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Faust: Act III: Quel trouble inconnu; Salut! demeure chaste et pure is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Faust: Act III: Quel trouble inconnu; Salut! demeure chaste et pure by Plácido Domingo to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Im chambre séparée | Richard Heuberger, Anna Netrebko, Piotr Beczala | D Major | 1 | 10B | 171 BPM | ||
Puccini: Manon Lescaut, Act 1: "Donna non vidi mai" (Des Grieux) | Giacomo Puccini, José Cura, Philharmonia Orchestra, Plácido Domingo | A♭ Major | 0 | 4B | 181 BPM | ||
Zarzuela Suite - Remasterizado | Luis Cobos, Federico Chueca, Francisco Alonso, Geronimo Gimenez, Jacinto Guerrero Torres, Ruperto Chapí, Tomás López Torregrosa, Qunito Valverde | A Major | 7 | 11B | 127 BPM | ||
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Jennifer Larmore, Jesús López-Cobos, Orchestre de Chambre de Lausanne | A♭ Major | 0 | 4B | 181 BPM | ||
Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I | Renata Tebaldi | C Major | 1 | 8B | 100 BPM | ||
Cantami | Anna Netrebko, Yusif Eyvazov, Session Orchestra London, Ben Foster | A♭ Major | 6 | 4B | 85 BPM | ||
Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore" | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 92 BPM | ||
Tosca: "E Lucevan la Stelle" (Placido Version) | Giacomo Puccini, Plácido Domingo | B Minor | 2 | 10A | 73 BPM | ||
Si Yo Fuera Rico - De: " El Violinista en el Tejado" | Henry Salomon y su Orquesta | C Major | 2 | 8B | 137 BPM | ||
Black Orpheus: Manha do Carnaval (Arr. Schifrin) - Live | Luiz Bonfá, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | A♭ Major | 4 | 4B | 107 BPM |
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