"Black Orpheus: Manha do Carnaval (Arr. Schifrin) - Live" by Luiz Bonfá, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine was released on 1998. The duration of Black Orpheus: Manha do Carnaval (Arr. Schifrin) - Live is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Black Orpheus: Manha do Carnaval (Arr. Schifrin) - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Three Tenors - Paris 1998". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Black Orpheus: Manha do Carnaval (Arr. Schifrin) - Live is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Black Orpheus: Manha do Carnaval (Arr. Schifrin) - Live by Luiz Bonfá, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dicitencello vuie (Arr. Schifrin) - Live | Rodolfo Falvo, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | G Major | 0 | 9B | 135 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Madama Butterfly, SC 74 / Act 2: "Addio, fiorito asil" - Live | Giacomo Puccini, Luciano Pavarotti, Royal Philharmonic Orchestra, Maurizio Benini | A Major | 1 | 11B | 125 BPM | ||
Questa o quella | Mario del Monaco | D♭ Major | 3 | 3B | 98 BPM | ||
Los de Aragon, Romanza de Agustin: Cuantas veces solo … Los de Aragon | Jose Serrano, José Carreras, English Chamber Orchestra, Antoni Ros Marbá | D Major | 3 | 10B | 149 BPM | ||
Voce'e notte (Arr. Logi) - Live | Ernesto de Curtis, José Carreras, Orchestre de Paris, James Levine | A♭ Major | 3 | 4B | 111 BPM | ||
Live Like Horses - Studio Version | Elton John, Luciano Pavarotti | G Major | 2 | 9B | 134 BPM | ||
Webber/ Arr Schifrin: Around the World Part 2: Phantom of the Opera - All I Ask Of You | Andrew Lloyd Webber, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Major | 2 | 5B | 76 BPM | ||
Andrea Chénier / Act 1: "Colpito qui m'avete ... Un dì all'azzura spazio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 3 | 6B | 90 BPM | ||
Arrivederci Roma | Renato Rascel, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Major | 1 | 6B | 85 BPM |
Section: 0.7274096012115479
End: 0.7320842742919922