"Madama Butterfly, SC 74 / Act 2: "Addio, fiorito asil" - Live" by Giacomo Puccini, Luciano Pavarotti, Royal Philharmonic Orchestra, Maurizio Benini was released on March 5, 2024. With Madama Butterfly, SC 74 / Act 2: "Addio, fiorito asil" - Live being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 50 in the song's album "Nessun Dorma! Pavarotti sings Puccini". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Madama Butterfly, SC 74 / Act 2: "Addio, fiorito asil" - Live's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly, SC 74 / Act 2: "Addio, fiorito asil" - Live by Giacomo Puccini, Luciano Pavarotti, Royal Philharmonic Orchestra, Maurizio Benini having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un amore così grande | Guido Maria Ferilli, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | F Major | 3 | 7B | 79 BPM | ||
Werther, Act. III - Pourquoi me reveiller? | Jules Massenet, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | F♯ Minor | 3 | 11A | 65 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
La Bohème / Act 4: "Sono andati" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | F Major | 1 | 7B | 75 BPM | ||
Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Huguette Tourangeau, Ryland Davies, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 73 BPM | ||
Voce 'e notte (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A Minor | 3 | 8A | 137 BPM | ||
L'elisir d'amore, act. II - Una furtiva lagrima | Gaetano Donizetti, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | F Minor | 2 | 4A | 171 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Madame Butterfly - Grosser Querschnitt: Du, du, du | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | C Major | 1 | 8B | 82 BPM |
Section: 0.8096487522125244
End: 0.8153872489929199