"Werther, Act. III - Pourquoi me reveiller?" by Jules Massenet, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna was released on January 1, 1995. The duration of Werther, Act. III - Pourquoi me reveiller? is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Werther, Act. III - Pourquoi me reveiller?'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vincerò! by Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna. The song's track number on the album is #5 out of 16 tracks. Werther, Act. III - Pourquoi me reveiller? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Werther, Act. III - Pourquoi me reveiller? by Jules Massenet, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Werther, Act. III - Pourquoi me reveiller? being at 65 BPM, the half-time would be 32 BPM with a double-time of 130 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | B Major | 2 | 1B | 142 BPM | ||
Un ballo in maschera / Act 1: "E scherzo od è follia" | Giuseppe Verdi, Luciano Pavarotti, Regina Resnik, Leonardo Monreale, Nicolas Christou, Helen Donath, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | C Minor | 0 | 5A | 69 BPM | ||
Parlami d'amore Mariù | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 87 BPM | ||
Lucia di Lammermoor / Act 3.: "Tombe degl'avi miei...Fra poco a me ricovero" | Gaetano Donizetti, Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes | E♭ Major | 2 | 5B | 102 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Svanir le voci! (Pollione/Flavio) | Vincenzo Bellini, Franco Corelli, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | C Major | 1 | 8B | 168 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Baby, can I hold you tonight | Tracy Chapman, Luciano Pavarotti, Orchestra Sinfonica Italiana, José Molina | D Major | 6 | 10B | 72 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | ||
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM |
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