"Requiem, Op. 48, N. 97: Pie Jesu (Ed. Marc Rigaudière)" by Gabriel Fauré, Orchestra of the Age of Enlightenment, Stephen Cleobury, Tom Pickard, Ensemble of King's College, Cambridge was released on September 9, 2014. The duration of Requiem, Op. 48, N. 97: Pie Jesu (Ed. Marc Rigaudière) is about 3 minutes long, at 3:03. Based on our data, "Requiem, Op. 48, N. 97: Pie Jesu (Ed. Marc Rigaudière)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 14 in Fauré: Requiem & Messe basse by Gabriel Fauré, Orchestra of the Age of Enlightenment, Stephen Cleobury, Ensemble of King's College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Requiem, Op. 48, N. 97: Pie Jesu (Ed. Marc Rigaudière) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 48, N. 97: Pie Jesu (Ed. Marc Rigaudière) by Gabriel Fauré, Orchestra of the Age of Enlightenment, Stephen Cleobury, Tom Pickard, Ensemble of King's College, Cambridge is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Baïlèro, Serie 1, No. 2 | Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard | B♭ Major | 2 | 6B | 87 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
Berliner Messe: Kyrie | Arvo Pärt, Elora Festival Singers, Elora Festival Orchestra, Noel Edison | B Major | 1 | 1B | 100 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Adagio for Strings and Organ in G Minor | Remo Giazotto, Stuttgart Chamber Orchestra, Karl Münchinger | C Minor | 1 | 5A | 66 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Missa Papae Marcelli: 1. Kyrie | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 2 | 11B | 130 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | ||
Monteverdi / Arr Pluhar: Zefiro torna e di soavi accenti, SV 251 | Claudio Monteverdi, Christina Pluhar, Núria Rial, Philippe Jaroussky | F Major | 2 | 7B | 117 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act II, Second Woman "Oft she visits this lov'd mountain" | Henry Purcell, Maria Cristina Kiehr, René Jacobs, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 103 BPM |
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