"Berliner Messe: Kyrie" by Arvo Pärt, Elora Festival Singers, Elora Festival Orchestra, Noel Edison was released on October 1, 2004. The duration of Berliner Messe: Kyrie is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Berliner Messe: Kyrie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Part: Berliner Messe / Magnificat / Summa". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Berliner Messe: Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Berliner Messe: Kyrie by Arvo Pärt, Elora Festival Singers, Elora Festival Orchestra, Noel Edison having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dona Nobis Pacem: Beat! Beat! Drums! | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 4 | 7B | 120 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
Stabat Mater | Arvo Pärt, Lynne Dawson, David James, Rogers Covey-Crump, Gidon Kremer, Vladimir Mendelssohn, Thomas Demenga | A Minor | 1 | 8A | 82 BPM | ||
Lontano | György Ligeti, North German Radio Philharmonic Orchestra, Günter Wand | D♭ Major | 0 | 3B | 79 BPM | ||
Six Pieces: V | Howard Shore, RTE Concert Orchestra, Clara Sanabras, Ludwig Wicki | D Minor | 0 | 7A | 101 BPM | ||
Christian Zeal and Activity | John Adams, Edo de Waart, San Francisco Symphony | E Major | 1 | 12B | 78 BPM | ||
Grand Pianola Music: On the Great Divide | John Adams | E♭ Major | 2 | 5B | 84 BPM | ||
More Sweet Than My Refrain | Howard Skempton, Ars Nova Copenhagen, Paul Hillier | A Major | 0 | 11B | 82 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
Snowforms | Elektra Women's Choir | E♭ Major | 0 | 5B | 68 BPM |
Section: 0.6074619293212891
End: 0.6130297183990479