Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill's 'Dona Nobis Pacem: Beat! Beat! Drums!' came out on April 27, 2010. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vaughan Williams: Dona Nobis Pacem - Sancta Civitas by Ralph Vaughan Williams, David Hill. The song's track number on the album is #2 out of 16 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Dona Nobis Pacem: Beat! Beat! Drums!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Dona Nobis Pacem: Beat! Beat! Drums! by Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Dona Nobis Pacem: Beat! Beat! Drums! being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM | ||
The Long Day Closes | Arthur Sullian, arr. Philip Lawson, Tenebrae, Nigel Short | E♭ Major | 0 | 5B | 111 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Serenade to Music | Ralph Vaughan Williams, Christopher Seaman, Juliana Athayde, Mercury Opera Rochester, Rochester Philharmonic Orchestra | D Major | 1 | 10B | 134 BPM | ||
Brahms: Geistliches lied Op. 30 | St. Albans Cathedral Choir, Simon Johnson | E♭ Major | 1 | 5B | 70 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM | ||
God is Gone Up | Gerald Finzi, Choir of St. John's College, Cambridge, Andrew Nethsingha | E Major | 2 | 12B | 82 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Var. IX (Nimrod) | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
Orff: Carmina Burana, Pt. 1, Primo vere: Veris leta facies | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM |
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