On 2009, the song "Partia No. 1: IV. Gavott" was released by Johann Joseph Vilsmayr, Gunar Letzbor. With Partia No. 1: IV. Gavott being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vilsmayr: Artificiosus Concentus pro Camera a Violin Solo 1715 by Johann Joseph Vilsmayr, Gunar Letzbor. The song's track number on the album is #4 out of 56 tracks. In terms of popularity, Partia No. 1: IV. Gavott is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Partia No. 1: IV. Gavott by Johann Joseph Vilsmayr, Gunar Letzbor has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Partia No. 1: IV. Gavott being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor, HWV 448: III. Courante | George Frideric Handel, Fernando De Luca | D♭ Minor | 4 | 12A | 82 BPM | ||
Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
The Division Violin: No. 13, Prelude in G Major | Thomas Baltzar, Augusta McKay Lodge | F♯ Major | 1 | 2B | 118 BPM | ||
12 Caprices for 2 Cellos, Op. 7: No. 1 in G Major | Auguste Franchomme, Louise Dubin, Katherine Cherbas | G Major | 1 | 9B | 84 BPM | ||
Amusement pour le violon seul, Op. 18: Aria - Gratioso | Louis-Gabriel Guillemain, Isabelle Faust | D♭ Minor | 0 | 12A | 128 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Sonata No. 4 in E Minor, Op. 27 No. 4 : I. Allemende: Lento maestoso | Eugène Ysaÿe, James Ehnes | B Minor | 1 | 10A | 69 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Keyboard Sonata in G Major, Kk. 80 | Domenico Scarlatti, Sang Woo Kang | D Major | 1 | 10B | 101 BPM |
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