Eugène Ysaÿe, James Ehnes's 'Sonata No. 4 in E Minor, Op. 27 No. 4 : I. Allemende: Lento maestoso' came out on April 30, 2021. Sonata No. 4 in E Minor, Op. 27 No. 4 : I. Allemende: Lento maestoso is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. This song is part of Ysaÿe : Sonatas for Solo Violin by Eugène Ysaÿe, James Ehnes. The song's track number on the album is #10 out of 15 tracks. Sonata No. 4 in E Minor, Op. 27 No. 4 : I. Allemende: Lento maestoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata No. 4 in E Minor, Op. 27 No. 4 : I. Allemende: Lento maestoso by Eugène Ysaÿe, James Ehnes has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Sonata No. 4 in E Minor, Op. 27 No. 4 : I. Allemende: Lento maestoso being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 9 in A Minor, Op. 104: II. Adagio | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | E Major | 1 | 12B | 123 BPM | ||
6 Polyphonic Studies: No. 6, Concert Variations on the Irish Air "The Last Rose of Summer" | Heinrich Wilhelm Ernst, Maxim Vengerov | G Major | 1 | 9B | 100 BPM | ||
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major: I. L'Aurore | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
Havanaise, Op. 83, R. 202 | Camille Saint-Saëns, María Dueñas, Wiener Symphoniker, Manfred Honeck | A Major | 1 | 11B | 83 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Midori | G Major | 0 | 9B | 98 BPM |
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