"6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major: I. L'Aurore" by Eugène Ysaÿe, Hilary Hahn was released on July 14, 2023. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Ysaÿe: 6 Sonatas for Violin Solo, Op. 27 by Eugène Ysaÿe, Hilary Hahn. The song's track number on the album is #13 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major: I. L'Aurore is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major: I. L'Aurore by Eugène Ysaÿe, Hilary Hahn has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major: I. L'Aurore being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 0 | 10B | 83 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: II. Andantino con variazioni | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 1 | 8B | 81 BPM | ||
Sonata for Piano and Violin in G, K.301: 1. Allegro con spirito | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | G Major | 2 | 9B | 135 BPM | ||
Sonata for Violin and Piano No. 1: II. Largo cantabile | Charles Ives, Hilary Hahn, Valentina Lisitsa | G Minor | 1 | 6A | 82 BPM | ||
Petite suite, L65: Ballet | Claude Debussy, Lestari Scholtes, Gwylim Janssens | E Major | 0 | 12B | 75 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": IV. Presto | Franz Schubert | D♭ Major | 0 | 3B | 63 BPM | ||
24 Caprices for Solo Violin, Op. 1, MS 25: No. 24 in A Minor | Niccolò Paganini, Hilary Hahn | A Minor | 2 | 8A | 108 BPM | ||
Sonata for Piano and Violin in F, K.376: 2. Andante | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | B♭ Major | 1 | 6B | 93 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM |
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