Louis-Gabriel Guillemain, Isabelle Faust made "Amusement pour le violon seul, Op. 18: Aria - Gratioso" available on October 20, 2023. With Amusement pour le violon seul, Op. 18: Aria - Gratioso being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Solo: Matteis - Pisendel - Biber - Guillemain - Vilsmayr". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Based on our statistics, Amusement pour le violon seul, Op. 18: Aria - Gratioso's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Amusement pour le violon seul, Op. 18: Aria - Gratioso by Louis-Gabriel Guillemain, Isabelle Faust having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
6 Violin Sonatas: Sonata No. 1 in D Minor: VI. Aria | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Justin Taylor | C Minor | 3 | 5A | 76 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 6 in E Minor, TWV 43:e4: III. Vite | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | E Minor | 1 | 9A | 78 BPM | ||
Sonata No. 5 in D Major, Op. 13: III. Allegro | Louis-Gabriel Guillemain, Johannes Pramsohler, Philippe Grisvard | A♭ Major | 2 | 4B | 86 BPM | ||
Veinte Estudios Artísticos de Concierto para Violín Con Acompañamiento de un Segundo Violín: 1º Cuaderno: I. Estudio Melódico y del Saltillo | Jesús De Monasterio, Manuel Guillén, Pablo Suarez | E♭ Major | 1 | 5B | 95 BPM | ||
Overture In G Minor: I. Ouverture | Johann Bernhard Bach, Ensemble Masques | G Major | 1 | 9B | 128 BPM | ||
Sonata in C Minor for Violin and Continuo, Op. 1 No. 9: IV. Allegretto gratioso | Jean-Pierre Guignon, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Sonate No.4 en do mineur: Aria gratioso | Louis-Gabriel Guillemain, Ensemble Les Conversations, Valérie Balssa-Jaffrès, Emmanuel Balssa, Catherine Girard, Blandine Rannou, Alix Verzier | B Minor | 1 | 10A | 89 BPM | ||
Neubrandenburg Concerto No. 3: IV. Aria (Transcr. By Harer, after Bach's "Gedenke doch, mein Geist, zurücke" BWV 509) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F Major | 0 | 7B | 102 BPM |
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