"12 Caprices for 2 Cellos, Op. 7: No. 1 in G Major" by Auguste Franchomme, Louise Dubin, Katherine Cherbas was released on September 11, 2015. The duration of 12 Caprices for 2 Cellos, Op. 7: No. 1 in G Major is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. 12 Caprices for 2 Cellos, Op. 7: No. 1 in G Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Franchomme Project". In this album, this song's track order is #6. 12 Caprices for 2 Cellos, Op. 7: No. 1 in G Major is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 12 Caprices for 2 Cellos, Op. 7: No. 1 in G Major by Auguste Franchomme, Louise Dubin, Katherine Cherbas having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de viole, Book 3, Suite in A Minor: VII. Gavotte | Marin Marais, Jean-Guihen Queyras, Alexandre Tharaud | A Minor | 1 | 8A | 90 BPM | ||
12 Klavierstucke, Op. 85: No. 12, Abendlied (Arr. for Cello & Piano) | Robert Schumann, Duo Arnicans | D♭ Major | 0 | 3B | 94 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90 - "Dumky Trio": Piano Trio No. 4 in E Minor, Op. 90 - "Dumky Trio": II. Poco Adagio - Vivace non troppo | Antonín Dvořák, Alexander Melnikov, Isabelle Faust, Jean-Guihen Queyras | D♭ Major | 0 | 3B | 88 BPM | ||
Sonata in A Major, Op. 14: II. Andante espressivo | Leopoldo Miguéz, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
6 Pieces for Violin & Piano, Op. 79 (Excerpts): No. 6, Berceuse | Jean Sibelius, Johan Dalene, Christian Ihle Hadland | D♭ Minor | 0 | 12A | 94 BPM | ||
Salomea | Jasmin Reuter, World Chamber Orchestra | B♭ Minor | 2 | 3A | 172 BPM | ||
Sonate No. 1 pour violoncelle et piano, Op. 109: II. Andante | Gabriel Fauré, Marc Coppey, François Dumont | D Major | 1 | 10B | 84 BPM | ||
Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: II. Andante | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | D Major | 1 | 10B | 98 BPM | ||
A Little Song | Aram Khachaturian, Julian Lloyd Webber, John Lenehan | C Minor | 1 | 5A | 97 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 2 | 11B | 99 BPM |
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