"Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: II. Andante" by Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic was released on January 24, 2020. Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: II. Andante is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. This song is part of Via Bottesini: Concerti e pezzi concertanti by Giovanni Bottesini, Wies de Boevé. The song's track number on the album is #6 out of 8 tracks. In terms of popularity, Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: II. Andante by Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: II. Andante being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elfentanz | Florence Beatrice Price, Randall Goosby, Zhu Wang | D Major | 2 | 10B | 89 BPM | ||
3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Janine Jansen, Antonio Pappano | D♭ Major | 1 | 3B | 74 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | D Major | 3 | 10B | 83 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Chanson de matin, Op. 15 No. 2 (Arr. for Cello & Piano) | Edward Elgar, Duo Arnicans | G Major | 1 | 9B | 93 BPM | ||
Gran Duo in A Major for Clarinet, Double Bass and Strings | Giovanni Bottesini, Ezio Rojatti, I Virtuosi del Teatro alla Scala, Francesco Siragusa, Fabrizio Meloni | B Major | 2 | 1B | 97 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM |
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