Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse
Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg
Monteverdi, C.: Madrigals for Viol Consort, Book 3 (Sex Chordae Consort of Viols, Dorenburg)
2:26 January 1, 2000
BPM
76
Key
G Minor
Camelot
6A

Embed

Share Link

Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse - Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg Information

Acousticness
94%
Danceability
49%
Energy
0%
Instrumentalness
8%
Liveness
10%
Loudness
46%
Speechiness
6%
Valence
3%
Popularity
Loudness
-32.111 dB

Summary

"Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse" by Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg was released on January 1, 2000. The duration of Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Sex Chordae Consort of Viols, John Dornenburg's "Monteverdi, C.: Madrigals for Viol Consort, Book 3 (Sex Chordae Consort of Viols, Dorenburg)" album is number 20 out of 20. On top of that, United States appears to be the country where this track was created. Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse BPM

We consider the tempo marking of Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse by Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Vespro della Beata Vergine, SV 206: VII. Duo seraphim a 3 - Live by Claudio Monteverdi, Mark Tucker, Nigel Robson, Sandro Naglia, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Jakob Lindberg, David Miller, Christopher WilsonVespro della Beata Vergine, SV 206: VII. Duo seraphim a 3 - LiveClaudio Monteverdi, Mark Tucker, Nigel Robson, Sandro Naglia, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Jakob Lindberg, David Miller, Christopher WilsonD Minor17A69 BPM
Musiche sacre: No. 23, Canzon à 3 by Francesco Cavalli, London BaroqueMusiche sacre: No. 23, Canzon à 3Francesco Cavalli, London BaroqueA♭ Minor11A122 BPM
J'avois crû qu'en vous aymant by Christophe Ballard, Les Musiciens De Saint-Julien, François Lazarevitch, Annie DufresneJ'avois crû qu'en vous aymantChristophe Ballard, Les Musiciens De Saint-Julien, François Lazarevitch, Annie DufresneA♭ Major24B83 BPM
Fago: Confitebor tibi Domine: I. Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine"Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oroF♯ Major22B90 BPM
Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium by Claudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London ConsortVespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutoriumClaudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London ConsortF Major27B76 BPM
O intemerata (Il secondo libro de motetti a due, tre e quattro voci, Venezia, A. Vincenti, 1627) by Philippe Jaroussky, Ensemble ArtaserseO intemerata (Il secondo libro de motetti a due, tre e quattro voci, Venezia, A. Vincenti, 1627)Philippe Jaroussky, Ensemble ArtaserseF Major17B71 BPM
Byrd: Ave Verum Corpus by William Byrd, Peter Phillips, The Tallis ScholarsByrd: Ave Verum CorpusWilliam Byrd, Peter Phillips, The Tallis ScholarsA♭ Minor11A88 BPM
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo)Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire, Chœur De Chambre De NamurB Minor210A89 BPM
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro by Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. AllegroMichele Mascitti, Concerto Italiano, Rinaldo AlessandriniE♭ Minor22A115 BPM
Mystery (Rosary) Sonata No. 1, Mystery (Rosary) Sonata No. 1, "The Annunciation": I. PraeludiumHeinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, BattaliaD♭ Minor112A134 BPM
ISRC
US8270501738
Label
L-M Records/RCA Records

Section: 0.6194663047790527

End: 0.6242468357086182