"Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse" by Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg was released on January 1, 2000. The duration of Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Sex Chordae Consort of Viols, John Dornenburg's "Monteverdi, C.: Madrigals for Viol Consort, Book 3 (Sex Chordae Consort of Viols, Dorenburg)" album is number 20 out of 20. On top of that, United States appears to be the country where this track was created. Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Rimanti in pace a la dolente e bella: 2a parte - Ond'ei, di morte la sua faccia impressa, Disse by Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespro della Beata Vergine, SV 206: VII. Duo seraphim a 3 - Live | Claudio Monteverdi, Mark Tucker, Nigel Robson, Sandro Naglia, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Jakob Lindberg, David Miller, Christopher Wilson | D Minor | 1 | 7A | 69 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
J'avois crû qu'en vous aymant | Christophe Ballard, Les Musiciens De Saint-Julien, François Lazarevitch, Annie Dufresne | A♭ Major | 2 | 4B | 83 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium | Claudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London Consort | F Major | 2 | 7B | 76 BPM | ||
O intemerata (Il secondo libro de motetti a due, tre e quattro voci, Venezia, A. Vincenti, 1627) | Philippe Jaroussky, Ensemble Artaserse | F Major | 1 | 7B | 71 BPM | ||
Byrd: Ave Verum Corpus | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Minor | 1 | 1A | 88 BPM | ||
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire, Chœur De Chambre De Namur | B Minor | 2 | 10A | 89 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM |
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