"Mass Number 10 in C Major, “Missa in tempore belli" (Hob. XXII:9): viii. Credo: Vivace" by Joseph Haydn, Netania Davrath, Walter Berry, Anton Dermota, Hilde Rössel Majdan, Mogens Woldike, Vienna State Opera Orchestra, Vienna State Opera Chamber Choir was released on April 30, 2013. The duration of Mass Number 10 in C Major, “Missa in tempore belli" (Hob. XXII:9): viii. Credo: Vivace is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Mass Number 10 in C Major, “Missa in tempore belli" (Hob. XXII:9): viii. Credo: Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 130 out of 184 in Big Haydn Box by Joseph Haydn, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Mass Number 10 in C Major, “Missa in tempore belli" (Hob. XXII:9): viii. Credo: Vivace is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass Number 10 in C Major, “Missa in tempore belli" (Hob. XXII:9): viii. Credo: Vivace by Joseph Haydn, Netania Davrath, Walter Berry, Anton Dermota, Hilde Rössel Majdan, Mogens Woldike, Vienna State Opera Orchestra, Vienna State Opera Chamber Choir is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
Alceste (Sung in French): Overture | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo | C Minor | 0 | 5A | 69 BPM | ||
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: I. Carattere Espagnuolo | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | G Major | 1 | 9B | 107 BPM | ||
Rondo in G Minor, Op. 94, B. 181: Rondo in G Minor for Cello and Orchestra, B. 181 (Op. 94) | Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra | D♭ Minor | 0 | 12A | 169 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Sinfonia d'Opera: Allegro vivace | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | A Major | 1 | 11B | 88 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM |
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