"Rondo in G Minor, Op. 94, B. 181: Rondo in G Minor for Cello and Orchestra, B. 181 (Op. 94)" by Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra was released on December 19, 2004. Rondo in G Minor, Op. 94, B. 181: Rondo in G Minor for Cello and Orchestra, B. 181 (Op. 94) is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 2 out of 19 in Dvorak: American Suite / Silent Woods / Prague Waltzes by Joaquim Homs, Various Artists, Antonín Dvořák, Dmitry Yablonsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Rondo in G Minor, Op. 94, B. 181: Rondo in G Minor for Cello and Orchestra, B. 181 (Op. 94) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rondo in G Minor, Op. 94, B. 181: Rondo in G Minor for Cello and Orchestra, B. 181 (Op. 94) by Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Armida, Op. 115, B. 206, Act II: Act II: Vorspiel | Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht | E♭ Major | 0 | 5B | 83 BPM | ||
Moto perpetuo, Op. 11, MS 72 (Version for violin and orchestra) | Niccolò Paganini, Ivan Pochekin, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 5 | 8B | 174 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | B Major | 1 | 1B | 142 BPM | ||
Concerto for Bassoon, Strings & Continuo in B flat Major, RV 501 "La Notte": II. Presto | Antonio Vivaldi, Peter Whelan, La Serenissima, Adrian Chandler | F Major | 3 | 7B | 100 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Variations on a Theme of Rossini | Niccolò Paganini, Sebastian Bru | D Major | 2 | 10B | 176 BPM | ||
Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM |
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