- BPM
- 83
- Key
- E♭ Major
- Camelot
- 5B
Armida, Op. 115, B. 206, Act II: Act II: Vorspiel - Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht Information
- Acousticness
- 92%
- Danceability
- 12%
- Energy
- 1%
- Instrumentalness
- 76%
- Liveness
- 9%
- Loudness
- 41%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 31%
- Loudness
- -35.219 dB
Summary
"Armida, Op. 115, B. 206, Act II: Act II: Vorspiel" by Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht was released on July 1, 2016. With Armida, Op. 115, B. 206, Act II: Act II: Vorspiel being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 32 in Dvořák: Armida by Antonín Dvořák, Gerd Albrecht. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Armida, Op. 115, B. 206, Act II: Act II: Vorspiel is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Armida, Op. 115, B. 206, Act II: Act II: Vorspiel BPM
The tempo marking of Armida, Op. 115, B. 206, Act II: Act II: Vorspiel by Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Armida, Op. 115, B. 206, Act II: Act II: Vorspiel Key
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 | Claude Debussy, Michel Plasson, Orchestre Du Capitole De Toulouse | D♭ Major | 2 | 3B | 84 BPM | |
 | Thérèse, Act II: Act II Scene 5: Qui vient la? (Armand, Therese, Morel) | Jules Massenet, Agnes Baltsa, Francisco Araiza, George Fortune, Giancarlo Luccardi, Gino Sinimberghi, Eftimios Michalopoulos, Coro de Roma della RAI, Orchestra Sinfonica Nazionale della RAI di Roma, Gerd Albrecht | A♭ Minor | 2 | 1A | 71 BPM | |
 | Symphony No. 7 in E Major, WAB 107 (Haas Edition): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Christian Thielemann, Wiener Philharmoniker | F♯ Minor | 0 | 11A | 141 BPM | |
 | Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Large Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | |
 | A Midsummer Night's Dream, Op. 61: No. 5, Intermezzo. Allegro appassionato | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | |
 | 交響曲 第2番 ニ短調 Op. 73 III- Allegretto grazioso (Quasi Andantino) | Johannes Brahms, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | C Major | 0 | 8B | 87 BPM | |
 | Violin Concerto No. 1: I. Moderato | John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 1 | 9B | 122 BPM | |
 | Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | |
 | Romeo and Juliet, Op. 64: No. 1 Introduction | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E Major | 0 | 12B | 69 BPM | |
 | Variations and Fugue on a Theme of Mozart, Op. 132: Variation 5 - Quasi Presto | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM |
- ISRC
- DEB959540408
- Label
- L-M Records/RCA Records
Section: 0.7919485569000244
End: 0.7958035469055176