"Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86" by Claude Debussy, Michel Plasson, Orchestre Du Capitole De Toulouse was released on January 1, 1989. Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 appears to be safe for all ages as it is not explicit. The song is number 4 out of 9 in Debussy: La Mer, Prélude à l'après-midi d'un faune, Nocturnes & Printemps by Claude Debussy, Michel Plasson, Orchestre Du Capitole De Toulouse. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 by Claude Debussy, Michel Plasson, Orchestre Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estampes: I. Pagodes. Modérément animé | Claude Debussy, Alain Planès | B Major | 0 | 1B | 68 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto - Live | Ludwig van Beethoven, András Schiff | G Minor | 1 | 6A | 137 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Jean-Rodolphe Kars | E♭ Minor | 0 | 2A | 73 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
Liebestraum (Love Dream) | Franz Liszt, Michael Krücker | A♭ Major | 1 | 4B | 70 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Zoetrope | Joep Beving | D Minor | 0 | 7A | 134 BPM |
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