Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen made "Grieg: Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King" available on February 22, 2013. The duration of Grieg: Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King is about 3 minutes long, at 3:01. Based on our data, "Grieg: Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 27 in Edvard Grieg - Ultima by Edvard Grieg, Ari Rasilainen, Csaba & Gèza Szilvay, Juha Kangas, The Norwegian Radio Orchestra, Ostrobothnian Chamber Orchestra, The Helsinki Strings. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. Grieg: Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Grieg: Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King by Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Gayane: Sabre Dance - Redbook Stereo | Aram Khachaturian, Arthur Fiedler | C Major | 6 | 8B | 90 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
Waltz No. 10 in B Minor, Op. 69 No. 2 | Frédéric Chopin, Alice Sara Ott | D Minor | 0 | 7A | 137 BPM | ||
The Can Can | Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner | D Major | 7 | 10B | 82 BPM | ||
Swan Lake, Ballet suite, Op.20: Dance of the swans | Belgrad Philharmonic Orchestra, Igor Markevitch | F♯ Major | 0 | 2B | 95 BPM | ||
On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse | Antonín Dvořák, Orpheus Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
Ut Mot Havet | Edvard Fliflet Bræin, The Norwegian Radio Orchestra | C Major | 1 | 8B | 76 BPM | ||
Tosca: Le château Saint-Ange (Le geôlier) | Giacomo Puccini, Stanislaw Benacka/Czech-Slovak Radio Symphony Orchestra/Alexander Rahbari, Alexander Rahbari, Czecho-Slovak Radio Symphony Orchestra | F♯ Major | 3 | 2B | 84 BPM |
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