Aram Khachaturian, Arthur Fiedler made "Gayane: Sabre Dance - Redbook Stereo" available on 1958. The duration of Gayane: Sabre Dance - Redbook Stereo is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Gayane: Sabre Dance - Redbook Stereo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Pops Caviar". In this album, this song's track order is #9. In terms of popularity, Gayane: Sabre Dance - Redbook Stereo is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Gayane: Sabre Dance - Redbook Stereo by Aram Khachaturian, Arthur Fiedler having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
CARMEN: MARCH OF THE TOREADORS (Bizet) | 101 Strings Orchestra | A Major | 5 | 11B | 116 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | C Minor | 1 | 5A | 99 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Utah Symphony Orchestra, Maurice Abravanel | G Major | 1 | 9B | 152 BPM | ||
Polovtsian Dance No. 17 | Alexander Borodin, Arthur Fiedler | D♭ Minor | 3 | 12A | 110 BPM | ||
Scorrende unite | Giuseppe Verdi, Sir Georg Solti, RCA Italiana Opera Orchestra | A Major | 2 | 11B | 114 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
Menuet No. 5, Op. 11 | The Jane Austen Era | A Major | 1 | 11B | 105 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.7 in C Minor (Allegro assai) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Minor | 2 | 5A | 134 BPM | ||
Wilhelm Tell-galoppe, Op. 29b | Slovak Sinfonietta, Zilina, Johann Strauss I | F♯ Minor | 3 | 11A | 146 BPM |
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