"Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse" by Antonín Dvořák, Orpheus Chamber Orchestra was released on January 1, 1985. Since Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 9 in Dvorak: Serenades opp. 22&44 by Antonín Dvořák, Orpheus Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse by Antonín Dvořák, Orpheus Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballabili per il film "Il Gattopardo" (1963) (revisione a cura di Nicola Scardicchio): 3. Controdanza | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Chanson de nuit, Op. 15, No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Major | 3 | 2B | 133 BPM | ||
Valse triste, Op. 44, No. 1 (From "Kuolema") | Jean Sibelius, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 1 | 3B | 60 BPM | ||
Giustino, RV 717, Act II: Sento in seno ch'in pioggia di lagrime (arr. G. Anderson and E. J. Roe) | Anderson & Roe | E♭ Minor | 0 | 2A | 119 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Introduction: Variations I-X | Sergei Rachmaninoff, Jean-Yves Thibaudet, Cleveland Orchestra, Vladimir Ashkenazy | D Major | 0 | 10B | 77 BPM | ||
Suite bergamasque: III. Clair de lune - Arranged for Violin and Piano by Alexander Roelens | Claude Debussy, Alexander Roelens, Yu-Chien Tseng, Inga Dzektser | D♭ Major | 1 | 3B | 169 BPM | ||
Liszt: Grandes études de Paganini, S. 141: III. La Campanella | Franz Liszt, Yoav Levanon | A♭ Minor | 2 | 1A | 103 BPM | ||
Dans les steppes de l'Asie centrale | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Thaïs / Acte Deux: Méditation religieuse | Jules Massenet, Nigel Kennedy, National Philharmonic Orchestra, Richard Bonynge | E Minor | 1 | 9A | 89 BPM |
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