"Thaïs / Acte Deux: Méditation religieuse" by Jules Massenet, Nigel Kennedy, National Philharmonic Orchestra, Richard Bonynge was released on January 1, 2009. Thaïs / Acte Deux: Méditation religieuse is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. Because this song is the only song in Massenet: Méditation and no other songs are present in the album, we classify this track as a single. Thaïs / Acte Deux: Méditation religieuse is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thaïs / Acte Deux: Méditation religieuse by Jules Massenet, Nigel Kennedy, National Philharmonic Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Luciano Pavarotti, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 1 | 7B | 168 BPM | ||
Le carnaval des animaux: Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | G Major | 0 | 9B | 88 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto molto ritmico) | Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 108 BPM | ||
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | B Major | 0 | 1B | 98 BPM | ||
Ave Maria, D. 839, Op. 52, No. 6 (Ellens Gesang III from "Ein Fräulein vom See") [Arr. for Cello and Piano] | Franz Schubert, Yo-Yo Ma, Kathryn Stott | B♭ Major | 1 | 6B | 89 BPM | ||
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Allegro moderato - Nocturne | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 0 | 7B | 50 BPM | ||
Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM |
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