"Strophes, Op. 71: No. 2, Passionato ed agitato" by Ignaz Friedman, Joseph Banowetz was released on May 6, 2016. The duration of Strophes, Op. 71: No. 2, Passionato ed agitato is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Strophes, Op. 71: No. 2, Passionato ed agitato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 28 in Friedman: Original Piano Compositions by Ignaz Friedman, Joseph Banowetz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Strophes, Op. 71: No. 2, Passionato ed agitato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Strophes, Op. 71: No. 2, Passionato ed agitato by Ignaz Friedman, Joseph Banowetz is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka, Op. 41,1 | Frédéric Chopin, Ignaz Friedman | D Minor | 2 | 7A | 80 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
Piano Concerto No. 12 in A Major, K. 414: II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | D Major | 0 | 10B | 112 BPM | ||
An die Musik, D. 547 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Major | 1 | 10B | 81 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Ivan Sings "Andantino" | Aram Khachaturian, Christopher Ferreira | A♭ Major | 0 | 4B | 74 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
La Fille aux cheveux de lin, L. 117 | Lavinia Meijer | E♭ Minor | 0 | 2A | 49 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |
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