"Lohengrin: Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus)" by Richard Wagner, Lauritz Melchior, Helen Traubel, Margaret Harshaw, Osie Hawkins, Deszo Ernster, Hugh Thompson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Busch was released on March 1, 2015. The duration of Lohengrin: Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus) is about 3 minutes long, at 3:15. Based on our data, "Lohengrin: Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Lohengrin by Richard Wagner, Fritz Busch. The song's track number on the album is #6 out of 50 tracks. Based on our data, United States was the country where this track was produced or recorded. Lohengrin: Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin: Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus) by Richard Wagner, Lauritz Melchior, Helen Traubel, Margaret Harshaw, Osie Hawkins, Deszo Ernster, Hugh Thompson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Busch has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lohengrin: Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus) being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K. 527: Act II: Don Giovanni, a cenar teco (Andante: Il Commendatore, Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, Teodor Currentzis | D Minor | 2 | 7A | 124 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: Introduction | Richard Strauss, Munich Philharmonic Orchestra, Christian Thielemann | E Major | 1 | 12B | 94 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | B Major | 0 | 1B | 0 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Kurwenal! He!" | Richard Wagner, Erwin Wohlfahrt, Wolfgang Windgassen, Eberhard Waechter, Bayreuth Festival Orchestra, Karl Böhm | B♭ Minor | 1 | 3A | 136 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa | Giacomo Puccini, Philharmonia Orchestra, Giuseppe Sinopoli, Ambrosian Opera Chorus | B♭ Major | 0 | 6B | 76 BPM | ||
Also Sprach Zarathustra Op.30: Das Tanzlied (The Dance-Song) | Richard Strauss, London Philharmonic Orchestra, Klaus Tennstedt | C Major | 1 | 8B | 79 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM |
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