Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little's 'Partita for Violin and Orchestra: II. Ad libitum' came out on March 1, 2013. With Partita for Violin and Orchestra: II. Ad libitum being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little, Michael Collins's "Lutosławski: Symphony No. 1, Partita, Chain 2 & Preludia Taneczne" album is number 6 out of 18. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Partita for Violin and Orchestra: II. Ad libitum is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Partita for Violin and Orchestra: II. Ad libitum by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little to be Presto (very, very fast) because the track has a tempo of 186 BPM, a half-time of 93BPM, and a double-time of 372 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 1 | 8B | 66 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Lacrimosa | Witold Lutosławski, Filharmonia Wrocławska, Agata Zubel, Wroclaw Philharmonic Choir, Jacek Kaspszyk | A Minor | 0 | 8A | 80 BPM | ||
Symphony No. 7 in C Major, Op. 105: IV. Vivace - Presto - Adagio | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo. Allegro moderato | Sergei Prokofiev, Neeme Järvi, Royal Concertgebouw Orchestra, Horacio Gutiérrez | F♯ Minor | 0 | 11A | 89 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 99: V. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM |
Section: 0.7309818267822266
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