Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras made "Pedro Y El Lobo (Peter and the Wolf): "Era muy de manana cuando Pedro salió de su casa..." - Narration in Spain" available on January 1, 1990. With Pedro Y El Lobo (Peter and the Wolf): "Era muy de manana cuando Pedro salió de su casa..." - Narration in Spain being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 16 in the song's album "Prokofiev: Pedro y el Lobo; Obertura sobre temas; Sinfonia Classica". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Pedro Y El Lobo (Peter and the Wolf): "Era muy de manana cuando Pedro salió de su casa..." - Narration in Spain is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pedro Y El Lobo (Peter and the Wolf): "Era muy de manana cuando Pedro salió de su casa..." - Narration in Spain by Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux: L'Eléphant | Camille Saint-Saëns, Georg Maximilian Hörtnagel, Nelson Freire | B♭ Major | 0 | 6B | 66 BPM | ||
The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!" | Rundfunkorchester des Südwestfunks Baden-Baden | G Major | 2 | 9B | 111 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Pedro Y El Lobo (Peter and the Wolf): "Mientras tanto, Pedro agarró la cuerda firmemente..." - Narration in Spain | Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras | D Major | 2 | 10B | 84 BPM | ||
Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Te Deum, Op.22: Te Deum - Live | Hector Berlioz, Martin Haselböck, European Community Youth Orchestra, Claudio Abbado, London Symphony Chorus, London Philharmonic Choir, Wooburn Singers, St. Alban's School Choir, Haberdasher's Aske's School Boy's Choir, Southend Boys Choir, Desborough School Choir, The Choir of Forest School, Winnersh, The Choirboys of High Wycombe Parish Church | F Major | 1 | 7B | 93 BPM | ||
Peter and the Wolf, Op. 67: The Bird | David Bowie, Eugene Ormandy | C Major | 1 | 8B | 134 BPM | ||
Piano Sonata No. 5 in C Major, Op. 38: I. Allegro tranquillo | Sergei Prokofiev, Peter Donohoe | G Major | 1 | 9B | 84 BPM |
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